B y the mid-1970s, an era of consolidation began. The Vietnam
conflict was over, followed soon afterward by U.S. recognition of
the People's Republic of China and America's Bicentennial
celebration. Soon the 1980s -- the "Me Decade" -- ensued, in which
individuals tended to focus more on more personal concerns than on
larger social issues.
In literature, old currents remained, but the force behind pure
experimentation dwindled. New novelists like John Gardner, John
Irving (The World According to Garp, 1978), Paul Theroux (The
Mosquito Coast, 1982), William Kennedy (Ironweed, 1983), and Alice
Walker (The Color Purple, 1982) surfaced with stylistically
brilliant novels to portray moving human dramas. Concern with
setting, character, and themes associated with realism returned.
Realism, abandoned by experimental writers in the 1960s, also crept
back, often mingled with bold original elements a daring structure
like a novel within a novel, as in John Gardner's October Light
(1976) or black American dialect as in Alice Walker's The Color
Purple. Minority literature began to flourish. Drama shifted from
realism to more cinematic, kinetic techniques. At the same time,
however, the "Me Decade" was reflected in such brash new talents as
Jay McInerny (Bright Lights, Big City, 1984), Bret Easton Ellis
(Less Than Zero, 1985), and Tama Janowitz (Slaves of New York,
1986).
John Gardner (1933-1982)
John Gardner, from a farming background in New York State, was the
most important spokesperson for ethical values in literature until
his death in a motorcycle accident. He was a professor of English
specializing in the medieval period; his most popular novel,
Grendel (1971), retells the Old English epic Beowulf from the
monster's existentialist point of view. The short, vivid, and often
comic novel is a subtle argument against the existentialism that
fills its protagonist with self- destructive despair and
cynicism.
A prolific and popular novelist, Gardner used a realistic approach
but employed innovative techniques -- such as flashbacks, stories
within stories, retellings of myths, and contrasting stories -- to
bring out the truth of a human situation. His strengths are
characterization (particularly his sympathetic portraits of
ordinary people) and colorful style. Major works include The
Resurrection (1966), The Sunlight Dialogues (1972), Nickel Mountain
(1973), October Light (1976), and Mickelson's Ghosts (1982).
Gardner's fictional patterns suggest the curative powers of
fellowship, duty, and family obligations, and in this sense Gardner
was a profoundly traditional and conservative author. He endeavored
to demonstrate that certain values and acts lead to fulfilling
lives. His book On Moral Fiction (1978) calls for novels that
embody ethical values rather than dazzle with empty technical
innovation. The book created a furor, largely because Gardner
bluntly criticized important living authors for failing to reflect
ethical concerns.
Toni Morrison (1931- )
African-American novelist Toni Morrison was born in Ohio to a
spiritually oriented family. She attended Howard University in
Washington, D.C., and has worked as a senior editor in a major
Washington publishing house and as a distinguished professor at
various universities.
Morrison's richly woven fiction has gained her international
acclaim. In compelling, large-spirited novels, she treats the
complex identities of black people in a universal manner. In her
early work The Bluest Eye (1970), a strong-willed young black girl
tells the story of Pecola Breedlove, who survives an abusive
father. Pecola believes that her dark eyes have magically become
blue, and that they will make her lovable. Morrison has said that
she was creating her own sense of identity as a writer through this
novel: "I was Pecola, Claudia, everybody.
"
Sula (1973) describes the strong friendship of two women. Morrison
paints African-American women as unique, fully individual
characters rather than as stereotypes. Morrison's Song of Solomon
(1977) has won several awards. It follows a black man, Milkman
Dead, and his complex relations with his family and community. In
Tar Baby (1981) Morrison deals with black and white relations.
Beloved (1987) is the wrenching story of a woman who murders her
children rather than allow them to live as slaves. It employs the
dreamlike techniques of magical realism in depicting a mysterious
figure, Beloved, who returns to live with the mother who has slit
her throat.
Morrison has suggested that though her novels are consummate works
of art, they contain political meanings: "I am not interested in
indulging myself in some private exercise of my imagination...yes,
the work must be political." In 1993, Morrison won the Nobel Prize
for Literature.
Alice Walker (1944- )
Alice Walker, an African-American and the child of a sharecropper
family in rural Georgia, graduated from Sarah Lawrence College,
where one of her teachers was the politically committed female poet
Muriel Rukeyser. Other influences on her work have been Flannery
O'Connor and Zora Neale Hurston.
A "womanist" writer, as Walker calls herself, she has long been
associated with feminism, presenting black existence from the
female perspective. Like Toni Morrison, Jamaica Kincaid, Toni Cade
Bambara, and other accomplished contemporary black novelists,
Walker uses heightened, lyrical realism to center on the dreams and
failures of accessible, credible people. Her work underscores the
quest for dignity in human life. A fine stylist, particularly in
her epistolary dialect novel The Color Purple, her work seeks to
educate. In this she resembles the black American novelist Ishmael
Reed, whose satires expose social problems and racial issues.
Walker's The Color Purple is the story of the love between two poor
black sisters that survives a separation over years, interwoven
with the story of how, during that same period, the shy, ugly, and
uneducated sister discovers her inner strength through the support
of a female friend. The theme of the support women give each other
recalls Maya Angelou's autobiography, I Know Why the Caged Bird
Sings (1970), which celebrates the mother-daughter connection, and
the work of white feminists such as Adrienne Rich. The Color Purple
portrays men as basically unaware of the needs and reality of
women.
The close of the 1980s and the beginnings of the 1990s saw minority
writing become a major fixture on the American literary landscape.
This is true in drama as well as in prose. August Wilson who is
continuing to write and see staged his cycle of plays about the
20th-century black experience (including Pulitzer Prize-winners
Fences, 1986, and The Piano Lesson, 1989) -- stands alongside
novelists Alice Walker, John Edgar Wideman, and Toni Morrison.
Asian-Americans are also taking their place on the scene. Maxine
Hong Kingston (The Woman Warrior, 1976) carved out a place for her
fellow Asian-Americans, among them Amy Tan, whose luminous novels
of Chinese life transposed to post-World War II America (The Joy
Luck Club, 1989, and The Kitchen God's Wife, 1991) have captivated
readers. David Henry Hwang, a California- born son of Chinese
immigrants, has made his mark in drama, with plays such as F.O.B.
(1981) and M. Butterfly (1986).
A relatively new group on the literary horizon are the
Hispanic-American writers, including the Pulitzer Prize-winning
novelist Oscar Hijuelos, the Cuban-born author of The Mambo Kings
Play Songs of Love (1989); short story writer Sandra Cisneros
(Women Hollering Creek and Other Stories, 1991); and Rudolfo Anaya,
author of Bless Me, Ultima (1972), which sold 300,000 copies,
mostly in the western United States.
THE 1970s AND 1980s: NEW DIRECTIONS
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